Monday, April 06, 2009

liquid architecture 10

photo: jodi rose

Performing in the Sydney leg of Liquid Architecture 10 in Concert Two - 27th June 2009, Performance Space, Carriage Works, Sydney.

Saturday, April 04, 2009

finding - or so i thought

FindingSomaya Langley & Christian Malejka

photos: Berlin, Germany & Aegina, Greece

exhibited in Feathering the Nest, run by Garage Openings (Melody Ellis & Sarah Logan) in Yarralumla, Canberra


feathering the nest (a group mail art exhibition)

Opening Saturday 4 April 2009
6:00 - 8:00pm

66 Hopetoun Circuit Yarralumla ACT

Marc Alperstein
Jonathan Baskett
Zanny Begg
Lauren Brown
Kate Carr
Monica Carroll
Melody Ellis
Marc Freeman
Somaya Langley & Christian Malejka
Sarah Logan
Annette Marie
Paul McGee
Brendon McKinley
Sarah Mosca
Vedanta Nicholson
Kalina Pilat
Francesca Rendle-Short
Spyridon Simotas
Richard Spellman
Alison Spence
Sarah St Vincent Welch
Casey Temby
Nella Themelios
Amy Thompson
Stedman Watts
Zuza Zochowski

and more....

Friday, March 27, 2009


Collars CCAS invitation

Exhibition at Canberra Contemporary Art Space, Gorman House

27th March - 2nd May 2009

Opening: 18:00 Friday 27th March, opening speaker Martyn Jolley


…a collar is a thing that goes around the neck of a person, animal, or object…
Whether it be a crisply starched and ironed collar, a scruffy paint splattered striped pastel collar, or a zebra print shirt dress collar - a seemingly fragile textile fragment exudes a strong personality. A history is presumed, a position is assumed, a performance appropriate to status, wealth and office is expected. Simultaneously obvious and nuanced, the collar is embedded with wide cultural knowledge and reveals quirky sub-cultural significance.

Alexandra Gillespie and Somaya Langley’s collaborative exhibition of twenty highly individual collars are presented at the actual height of the previous owner from neck to feet. Arranged spatially in conversational groups, these highly fetishised personal adornments create an absent crowd, a crowd that speaks to both us, and each other, visually and audibly. Here coexistence is paramount as collars internal relationships interweave with the sensibilities of exhibition visitors.

Others such as Rafael Lozano-Hemmer utilise the absent crowd in their work. Standards and Double Standards (2004) creates a brooding and uneasy atmosphere by suspending fifty belts at waist height and having them rotate automatically to follow the movements of audiences in the exhibition space. The singularly unremarkable objects in multiple provoke a sense of surveillance and paternal authority, encouraging visitors to either subvert that authority and play with the movement, or submit to its intent and quickly move themselves on.

Langley’s and Gillespie’s artforms engage us far more intimately and viscerally with phrases garnered from the collars original owners - significant others in the artist’s lives - friends, family, colleagues and other artists. These text snippets are projected from within the textures and patterns that once caressed a treasured ones’ neck. One collar in the group lights up and a corresponding spatialised phrase whispers or reverberates around the room. Then another responds, and another, moving the narrative around the group, then from group to group, with random sequencing ensuring endless associations.

Some, such as the A SECURITY BLANKET green knitted collar, signify an immediate relationship with tightly emotionally bonded text, object and sound. Yet the intriguing yellow cotton of A CHINESE RESTAURANT, or the square embroidery detail on white of PALM TREES, SUN, IN L.A, make us wonder. It is these less obvious connections that extend an open invitation to the exhibition visitor to interweave our own memories and linkages within the works constantly shifting narrative.

Like the flexible electroluminescent strips slipped between the collars’ fabric layers to emit intimate phrases in cool white light, the artists slip us emotionally and intellectually between the unconscious, the coincidental and the considered. Collars resonates with subtle tales and intense recollections, generating intricate textures of identity and connection from a seemingly simple thing that goes around the neck.

Dr Melinda Rackham
March 2009

Collars - Canberra Contemporary Art Space

The artists would like to acknowledge our sponsors E-Lite and Sun Industries, and to thank Thylacine for the stands, Ben Lippmeier for the programming and Christian Malejka for audio contributions.

We extend our gratitude to the participants: Alessandra Pretto, Antonio Gambale, Caolan Mitchell, Govinda Lange, Jasmine Guffond, Joc Curran, Justine White, Lindsay Bingham, Maria-Eleni Alesandre, Marie-Louise Ayres, Melissa Penrose, Meredith Hughes, Michelle Fix, Nick Mariette, Nicole Leuning, Quentin Mitchell, Rod Gillespie, Rowena Jamieson, Rozi Suliman, Willow Fix Berry

Sunday, January 04, 2009

tha ridge

with a few days off and a laptop that died only a few days prior, i somehow managed to do two gigs at peats ridge festival...

firstly, a daytime ID-i/o performance in collaboration with Queazel (Michael Norris) and Parking Sun (Dan Mackinlay)
ID-i/o, Queasel & Parking Sun
photo: christian malejka

and then in the evening, a laptop quartet....