criticalsenses is somaya langley - an australian interested in things like ideas, art, creative practice, events & festivals, publicly available information, technology, travel, mobility and society; particularly how it all weaves together. right now she's rethinking life & wondering what next
Tuesday, November 25, 2008
in transit again
TRANSIT LOUNGE 2009 : MOVING WHILE STANDING STILL
www.transitlounge.org/2009/
...has now been launched, with three conversations between the artists:
Anna Tautfest
Debbie White
Jordana Maisie
Muse-Me (Susanne Wimmer / Nadim Sara / Franziska Schreiber)
Nick Mariette
Gaby Bila-Günther
Steve Smart
Wednesday, November 19, 2008
dork collars
Alexandra Gillespie's and my Collars collaboration project, on exhibition as part of Dorkbot Canberra, held at Canberra Contemporary Art Space, Manuka Gallery - November 2008.
Monday, October 27, 2008
Tuesday, October 21, 2008
smiling emails
how nice is it when you receive an email that starts something like:
>to welcome our favourite wandering Australian [1] to Montréal just before some
>of us head of to New York [2]
....
>[1] you know, the one we keep meeting at places such as New York (NIME),
>Amsterdam, Berlin, Paris... ;)
made me smile all day today
>to welcome our favourite wandering Australian [1] to Montréal just before some
>of us head of to New York [2]
....
>[1] you know, the one we keep meeting at places such as New York (NIME),
>Amsterdam, Berlin, Paris... ;)
made me smile all day today
Sunday, September 21, 2008
Sunday, September 14, 2008
Friday, September 12, 2008
Monday, September 01, 2008
raiding tha channel
Friday, August 22, 2008
SUBVERSIVE IN CHINA - MAINSTREAM IN ADELAIDE
Tuesday 19th August 2008 - news begins to circulate about James
Powderly's detention in Beijing. Since text messages reading "detained since 3am" and "there's 8 of us here, we're all OK", nothing has been heard from them.
James, co-founder of Graffiti Research Lab (GRL) was detained by
Chinese Authorities while preparing an intervention in support of the
Students for a Free Tibet protest. His current whereabouts remain
unknown.
GRL visited Adelaide during the Adelaide Bank Festival of Arts earlier
this year, thanks to Carclew Youth Arts & ANAT's emerging technologies (et) lab, to present the GRL Masterclass - http://grl.anat.org.au/.
Using an updated version of the L.A.S.E.R. Tag system enjoyed by
participants of the lab, general public and even Police officers in
Adelaide, James had planned to "project the message 'Free Tibet' and
additional messages that would have been three-stories high" said
colleague Nathan Dorjeee.
Reports state James and his associates were detained before they were able to use the stencil, although a 'Free Tibet' banner was later
displayed briefly by five other American artists before they too were
detained.
"James has always been dedicated to providing tools for free speech,"
Ms. Michelle Kempner (James' wife) said in an interview with the New
York Times, and later commenting on what can be done to help she
stated, "the best thing is to get attention...just spread the word. We
need to make sure they release them."
Unsurprisingly the blogging community and independent media sources have been rife discussing the issue. Public declarations of "what the hell was he thinking" through to "I'm sure he knew full well what the risks were....all signs suggest the goal was to draw maximum attention to the nature of Chinese repression" suggest that whatever his original intentions he has certainly encouraged debate. Clearly, anyone who can run a class entitled 'Internetfamo.us' at Parsons New School for Design knows a thing or two about utilising today's online social networks.
Meanwhile in Adelaide, the GRL legacy lives on. An innocent
intervention made by lab participants changing the white light of the
North Terrace National War Memorial to a red glow is now to be adopted across the city. Celebrating the 90th anniversary of the signing of the Armistice to end World War I, a number of prominent Adelaide landmarks will be illuminated in poppy red between November 4th and Remembrance Day. Sites will include selected trees and prominent points of the CBD and of course the original GRL-branded War Memorial. ANAT are very proud and excited to see artist interventions being adopted by the wider community.
ANAT supports and encourages the safe and quick release of James and co-detainees.
Powderly's detention in Beijing. Since text messages reading "detained since 3am" and "there's 8 of us here, we're all OK", nothing has been heard from them.
James, co-founder of Graffiti Research Lab (GRL) was detained by
Chinese Authorities while preparing an intervention in support of the
Students for a Free Tibet protest. His current whereabouts remain
unknown.
GRL visited Adelaide during the Adelaide Bank Festival of Arts earlier
this year, thanks to Carclew Youth Arts & ANAT's emerging technologies (et) lab, to present the GRL Masterclass - http://grl.anat.org.au/.
Using an updated version of the L.A.S.E.R. Tag system enjoyed by
participants of the lab, general public and even Police officers in
Adelaide, James had planned to "project the message 'Free Tibet' and
additional messages that would have been three-stories high" said
colleague Nathan Dorjeee.
Reports state James and his associates were detained before they were able to use the stencil, although a 'Free Tibet' banner was later
displayed briefly by five other American artists before they too were
detained.
"James has always been dedicated to providing tools for free speech,"
Ms. Michelle Kempner (James' wife) said in an interview with the New
York Times, and later commenting on what can be done to help she
stated, "the best thing is to get attention...just spread the word. We
need to make sure they release them."
Unsurprisingly the blogging community and independent media sources have been rife discussing the issue. Public declarations of "what the hell was he thinking" through to "I'm sure he knew full well what the risks were....all signs suggest the goal was to draw maximum attention to the nature of Chinese repression" suggest that whatever his original intentions he has certainly encouraged debate. Clearly, anyone who can run a class entitled 'Internetfamo.us' at Parsons New School for Design knows a thing or two about utilising today's online social networks.
Meanwhile in Adelaide, the GRL legacy lives on. An innocent
intervention made by lab participants changing the white light of the
North Terrace National War Memorial to a red glow is now to be adopted across the city. Celebrating the 90th anniversary of the signing of the Armistice to end World War I, a number of prominent Adelaide landmarks will be illuminated in poppy red between November 4th and Remembrance Day. Sites will include selected trees and prominent points of the CBD and of course the original GRL-branded War Memorial. ANAT are very proud and excited to see artist interventions being adopted by the wider community.
ANAT supports and encourages the safe and quick release of James and co-detainees.
Thursday, August 14, 2008
Wednesday, August 13, 2008
tuned citizens
reflections on tuned city and das kleine field recordings festival...
http://kleine-frf.blogspot.com/2008/08/4th-of-july-tuned-citizens.html
http://kleine-frf.blogspot.com/2008/08/4th-of-july-tuned-citizens.html
Labels:
2008,
berlin,
das kliene field recordings festival,
tuned city
Friday, July 25, 2008
Tuesday, July 22, 2008
video ID-i/o
short clip of gig at wriezener bahnhoff in berlin as part of the tuned city festival (and das kleine field recordings festival)
with morry photographing in tha background
with morry photographing in tha background
Thursday, July 17, 2008
Monday, June 30, 2008
motion media
just recieved notice that my paper has been accepted into the Media in Motion Symposium run by DOCAM. The symposium will be in Montreal from October 29 2008.
Abstract
Recontextualisation of technology in contemporary life from objects of fascination to everyday tools has likewise been reflected in current art practices. The past decade has seen memory institutions grapple with and overcome momentous shifts towards increasingly techno-centric modes of creative and intellectual production and output. In the library, archive and academic communities, the response has predominantly focussed on web archiving and digitisation practices for large-scale digital repositories with accompanying online delivery mechanisms. When faced with the overwhelming task of tackling complex born-digital objects – those that assume hybrid forms, employing multiple file formats, contain a combination of custom-designed and constructed software, hardware and wetware – with resultant installations, performances or wearables (interactive or otherwise), momentum rapidly decreases. Tendencies suggest the library community shies away while museums return to traditional documentation practices. Thus far, support for media art in general has largely been situated in the gallery and museum domain, positioned outside of the traditional library sphere. Contributions from both library and museum archival practices are essential for a holistic approach to preservation and sustained access, ensuring longevity of media artworks. When faced with developing systems for archiving a collection of weird and wonderful media artworks, what models and standards are available for managing both the artwork its associated metadata? Navigating through the seemingly endless list of acronyms that include MANS, METS, PREMIS and OAIS, what can be utilised to keep both the work and metadata alive?
Each collection brings along its own idiosyncrasies, so identifying potential assets and issues for preservation models is a necessity. With ‘the only constant is change’ as a basic premise, how do we handle existing materials while maintaining awareness of and the flexibility to manage emerging future forms? While no single specific solution is attainable, presented is a range of considerations intended to stimulate dialogue in this emerging field.
For more info see: www.docam.ca/en
Abstract
Recontextualisation of technology in contemporary life from objects of fascination to everyday tools has likewise been reflected in current art practices. The past decade has seen memory institutions grapple with and overcome momentous shifts towards increasingly techno-centric modes of creative and intellectual production and output. In the library, archive and academic communities, the response has predominantly focussed on web archiving and digitisation practices for large-scale digital repositories with accompanying online delivery mechanisms. When faced with the overwhelming task of tackling complex born-digital objects – those that assume hybrid forms, employing multiple file formats, contain a combination of custom-designed and constructed software, hardware and wetware – with resultant installations, performances or wearables (interactive or otherwise), momentum rapidly decreases. Tendencies suggest the library community shies away while museums return to traditional documentation practices. Thus far, support for media art in general has largely been situated in the gallery and museum domain, positioned outside of the traditional library sphere. Contributions from both library and museum archival practices are essential for a holistic approach to preservation and sustained access, ensuring longevity of media artworks. When faced with developing systems for archiving a collection of weird and wonderful media artworks, what models and standards are available for managing both the artwork its associated metadata? Navigating through the seemingly endless list of acronyms that include MANS, METS, PREMIS and OAIS, what can be utilised to keep both the work and metadata alive?
Each collection brings along its own idiosyncrasies, so identifying potential assets and issues for preservation models is a necessity. With ‘the only constant is change’ as a basic premise, how do we handle existing materials while maintaining awareness of and the flexibility to manage emerging future forms? While no single specific solution is attainable, presented is a range of considerations intended to stimulate dialogue in this emerging field.
For more info see: www.docam.ca/en
Thursday, June 26, 2008
Monday, June 23, 2008
tuning tha city
will be sound tech-ing for the Tuned City sound art field recordings festival which runs from the 1st 5th July in Berlin
Saturday, June 21, 2008
michel waisvisz
very sad news to hear michel waisvisz, who i only met last year, passed away.
he bought me breakfast and had one of the most soulful and encouraging conversations i've had on this past year of my journey. my heart really goes out to all inc his partner, daughter and the steim community.
more can be found at: http://www.steim.org/michel/
he bought me breakfast and had one of the most soulful and encouraging conversations i've had on this past year of my journey. my heart really goes out to all inc his partner, daughter and the steim community.
more can be found at: http://www.steim.org/michel/
sympathizing synthesisers
these guys are hilarious, 2 nz boys, who made me laugh so much i almost cried:
see their take on the consequences of inner city life
and okay, i finally agree that Jemaine from flight of the conchords does at times look like my cuz James in the ugly stick.
check tha similarities (+ hilarity) for yourselves....
see their take on the consequences of inner city life
and okay, i finally agree that Jemaine from flight of the conchords does at times look like my cuz James in the ugly stick.
check tha similarities (+ hilarity) for yourselves....
Tuesday, May 13, 2008
sonic australia
An interview with Michael Rüsenberg (along with other fellow australian sound artists) for the show Sonic Australia will go to air on WDR 3 (german national radio) on the Saturday 24th May at 11:05pm (GMT+1).
The live stream will be available from: http://www.wdr.de/radio/wdr3/hoeren.phtml
More information can be found at: www.realambient.de and short snippets of my interview at: www.realambient.de/sound-langley.html
The live stream will be available from: http://www.wdr.de/radio/wdr3/hoeren.phtml
More information can be found at: www.realambient.de and short snippets of my interview at: www.realambient.de/sound-langley.html
Labels:
germany,
michael rüsenberg,
radio,
real ambient,
sonic australia,
wdr 3
Sunday, May 11, 2008
stu-di-o
this is a first - my own studio that's not based in my bedroom or loungeroom
this space is for a residency with culturia in berlin to develop the project when you return home...
i'm sharing the studio with tim o'loghlin from dark network ...its amazing how paths cross again in the world...
this space is for a residency with culturia in berlin to develop the project when you return home...
i'm sharing the studio with tim o'loghlin from dark network ...its amazing how paths cross again in the world...
Saturday, May 10, 2008
futuresonic
recently attended the futuresonic 2008 festival in manchester... with the likes of richard stallman, luke vibert + mike paradinas, felix kubin, CRUMB, thompson + craighead to name but a few....
for photos of the event see: http://www.flickr.com/photos/somayalangley/sets/72157604954085696/
for photos of the event see: http://www.flickr.com/photos/somayalangley/sets/72157604954085696/
Monday, March 24, 2008
body think
The Inter-Arts Office is pleased to announce the recipients of its
2008 ArtLab initiative. The successful projects are:
Thinking Through the Body
Collaboration of artists Jonathan Duckworth, George Khut, Somaya
Langley, Lizzie Muller, Garth Paine and Catherine Truman,
investigating the use and potential of touch and movement in
body-focused interactive art. The group will use a variety of
body-sensing technologies to explore the possibilities of interactive
art that links technical experimentation and artistic expression.
2008 ArtLab initiative. The successful projects are:
Thinking Through the Body
Collaboration of artists Jonathan Duckworth, George Khut, Somaya
Langley, Lizzie Muller, Garth Paine and Catherine Truman,
investigating the use and potential of touch and movement in
body-focused interactive art. The group will use a variety of
body-sensing technologies to explore the possibilities of interactive
art that links technical experimentation and artistic expression.
Saturday, March 22, 2008
survival
my friend jodi rose's face currently appears homepage of the Australia Council for the Arts website : career pathways in media arts
this is hilarious, for a number of reasons only some of which being, that i paid for the postage of her last application and have bought groceries a couple of times
luckily the favours get returned - i've been able to camp out at her place during the transport strikes in berlin, she makes dinner for us, and she found me an abandoned bike in the park
is this just surviving... or having a career?
this is hilarious, for a number of reasons only some of which being, that i paid for the postage of her last application and have bought groceries a couple of times
luckily the favours get returned - i've been able to camp out at her place during the transport strikes in berlin, she makes dinner for us, and she found me an abandoned bike in the park
is this just surviving... or having a career?
cold feet
just received in the mail today, Cold Feet, a short film by Nicole Manktelow and Peter Gerrard - which uses my work d-struction as the sound art component of the film
Labels:
australian,
cold feet,
film,
nicole manktelow,
peter gerrard
Friday, March 21, 2008
telepath
tele path
3 sound/video excursions into the world
(submarine, alpdream, light's house)
video: david mcdowell
sound: somaya langley
sound mastering: kimmo vennonen
single channel video
dolby digital 5.1 surround sound
the production of the dvd was generously supported by the australian capital territory government through artsact.
...finally the dvd has been mastered and pressed
3 sound/video excursions into the world
(submarine, alpdream, light's house)
video: david mcdowell
sound: somaya langley
sound mastering: kimmo vennonen
single channel video
dolby digital 5.1 surround sound
the production of the dvd was generously supported by the australian capital territory government through artsact.
...finally the dvd has been mastered and pressed
Labels:
alpdream,
artsact,
david mcdowell,
dvd,
light's house,
somaya langley,
sound,
submarine,
tele path,
telepath,
video
Friday, March 14, 2008
Wednesday, March 12, 2008
field
"I think Somaya's performance was a very rafinated composition of swirling and spiraling sounds, but I am not sure. I only know the audience was completely absorbed and silenced."
dkfrf blog
dkfrf blog
Labels:
2008,
berlin,
das kliene field recordings festival,
review
Tuesday, March 11, 2008
construct
the past weekend has been spent tech-ing at program gallery for their sound constructions 2-day forum / festival
Saturday, March 08, 2008
Sunday, March 02, 2008
Tuesday, February 19, 2008
fields
robert curgenven, jodi rose and myself will be playing at the das kleine field recordings festival at Wendel this week
Wednesday 20th February 2008
22:00pm
Wendel
Schlesische Straße 42
Berlin
3 australians playing the sounds of their journeys and adventures thru tha world
Wednesday 20th February 2008
22:00pm
Wendel
Schlesische Straße 42
Berlin
3 australians playing the sounds of their journeys and adventures thru tha world
Tuesday, February 12, 2008
Wednesday, January 30, 2008
Monday, January 28, 2008
pilot
recently threw together the website for les jardins des pilotes
Labels:
garden,
jardins des pilotes,
les jardins des pilotes,
pilots
Thursday, January 24, 2008
Thursday, January 17, 2008
transit lounge 2008
BERLIN / AUSTRALIA (MELBOURNE SYDNEY BRISBANE MUTTAMA PERTH)
In 2008, TRANSIT LOUNGE becomes an experiment in remote collaboration, as 15 artists work between Berlin, Brisbane, Perth, Melbourne, Sydney, on the evolution of a complex, emergent structure. The platform for this trans-disciplinary exchange is the TRANSIT LOUNGE website, powered by open-source, wiki software. An organic structure, the site grows in multiple directions as the content is layered and interlinked, tracing remote interactions and local interventions between artists. The latency of these dialogues across time zones and locations creates feedback loops (local interventions web local interventions) opening up spaces for mistranslation resonating between the different cities.
The multitude of inputs, exchanges, and disruptions will be distilled in an exhibition which opens at PROGRAM BERLIN on the 31st January, 2008 to coincide with transmediale.08. Here the variations will continue to multiply as the process is augmented by the actions of visitors to the space.
TRANSIT LOUNGE is a project by Katie Hepworth and Miriam Mlecek and involves the following artists:
Chris Bennie (Brisbane), Bianca Calandra (Berlin), Robert Curgenven (Berlin), Cat Hope (Perth), Tanja Kimme (Melbourne), Somaya Langley (Berlin), Sarah Last (Muttama), Silvia Marzall (Berlin), Ben Milbourne (Melbourne), Michael Prior (Melbourne), Lynda Roberts (Melbourne), Jodi Rose (Berlin), Sumugan Sivanesan (Sydney), Anna Tautfest (Berlin)
EMERGENCES
Program Gallery
Invalidienstraße 115
10115 Berlin
Germany
Vernissage/Exhibition Opening: 19:00, 31st January 2008
Opening Times: 14:00-19:00, 1st - 6th February 2008
Project Space
Bouverie Street
Carlton
Melbourne 3053
Australia
TRANSIT LOUNGE is a partner event of transmediale.08 CONSPIRE
TRANSIT LOUNGE would like to thank the Australia Council for their support.
In 2008, TRANSIT LOUNGE becomes an experiment in remote collaboration, as 15 artists work between Berlin, Brisbane, Perth, Melbourne, Sydney, on the evolution of a complex, emergent structure. The platform for this trans-disciplinary exchange is the TRANSIT LOUNGE website, powered by open-source, wiki software. An organic structure, the site grows in multiple directions as the content is layered and interlinked, tracing remote interactions and local interventions between artists. The latency of these dialogues across time zones and locations creates feedback loops (local interventions web local interventions) opening up spaces for mistranslation resonating between the different cities.
The multitude of inputs, exchanges, and disruptions will be distilled in an exhibition which opens at PROGRAM BERLIN on the 31st January, 2008 to coincide with transmediale.08. Here the variations will continue to multiply as the process is augmented by the actions of visitors to the space.
TRANSIT LOUNGE is a project by Katie Hepworth and Miriam Mlecek and involves the following artists:
Chris Bennie (Brisbane), Bianca Calandra (Berlin), Robert Curgenven (Berlin), Cat Hope (Perth), Tanja Kimme (Melbourne), Somaya Langley (Berlin), Sarah Last (Muttama), Silvia Marzall (Berlin), Ben Milbourne (Melbourne), Michael Prior (Melbourne), Lynda Roberts (Melbourne), Jodi Rose (Berlin), Sumugan Sivanesan (Sydney), Anna Tautfest (Berlin)
EMERGENCES
Program Gallery
Invalidienstraße 115
10115 Berlin
Germany
Vernissage/Exhibition Opening: 19:00, 31st January 2008
Opening Times: 14:00-19:00, 1st - 6th February 2008
Project Space
Bouverie Street
Carlton
Melbourne 3053
Australia
TRANSIT LOUNGE is a partner event of transmediale.08 CONSPIRE
TRANSIT LOUNGE would like to thank the Australia Council for their support.
Labels:
2008,
berlin,
melbourne,
program gallery,
Project Space,
rmit,
transit lounge,
transmediale
Thursday, January 10, 2008
bastard
changing views:
A Thousand Splended Suns, Khaled Hosseini
The Bastard of Istanbul, Elif Shafak
i can't recommend enough...
A Thousand Splended Suns, Khaled Hosseini
The Bastard of Istanbul, Elif Shafak
i can't recommend enough...
Tuesday, January 08, 2008
developing transit space
Monday, January 07, 2008
Sunday, January 06, 2008
free beer, i mean work...
its been about a decade since i worked as a waitress, but tell me why would anything have changed?
probably any student doing a waitressing side job to support their university habit would've done a free work trial at some cafe - and now it comes to someone's attention...
see http://www.abc.net.au/news/stories/2008/01/06/2132466.htm?section=justin
probably any student doing a waitressing side job to support their university habit would've done a free work trial at some cafe - and now it comes to someone's attention...
see http://www.abc.net.au/news/stories/2008/01/06/2132466.htm?section=justin
Saturday, January 05, 2008
crackerz
cracker boyz on nye 07/08 in alexanderplatz...
Labels:
alexanderplatz,
berlin,
crackers,
fire crackers,
nye
Friday, January 04, 2008
aussie high
a DVD of summer heights high found its way to berlin ...
now i don't have to explain the australian lifestyle to random peeps - just point them in this direction
(and mention that jonah is really just a television reincarnation of stuart thaung from my high school days - so so hilarious, both then and now)
now i don't have to explain the australian lifestyle to random peeps - just point them in this direction
(and mention that jonah is really just a television reincarnation of stuart thaung from my high school days - so so hilarious, both then and now)
Labels:
australia,
high school,
ja'mie king,
jonah takalua,
mr g,
summer heights high
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