"With cutting-edge digital animation, video and electronic music, SUPER VISION makes the invisible “datasphere” visible, using the language and technologies of surveillance itself." (http://hop.dartmouth.edu/supervision/)
While researching visas for overseas travel, I could vividly recall moments from the Builder's Association and d-Box's interactive [new media] performance work, Supervision. I witnessed the performance at ISEA 2006 and it was truly engaging.
The only thing I would have wanted, was to strip away the theatre venue stage/audience paradigm - and immerse the audience right within the unfolding story... But then, we've got real life for that.
criticalsenses is somaya langley - an australian interested in things like ideas, art, creative practice, events & festivals, publicly available information, technology, travel, mobility and society; particularly how it all weaves together. right now she's rethinking life & wondering what next
Showing posts with label surveillance. Show all posts
Showing posts with label surveillance. Show all posts
Wednesday, May 02, 2007
supervision
Labels:
builder's association,
d-box,
datasphere,
ISEA 2006,
supervision,
surveillance,
visas
Thursday, January 04, 2007
under observation
"under observation" - a reworked multimedia interactive addressing video surveillance and society

this was presented as part of the paper "percieving the outsider" at the unaustralia conference last december.

this was presented as part of the paper "percieving the outsider" at the unaustralia conference last december.
Labels:
art,
interactive,
multimedia,
society,
somaya langley,
surveillance,
under observation,
video
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